This is what 58 seconds of Schoenberg can do. I did my master's thesis on this time period, travelled to Vienna to study source documents and scores, and learned German. I fell in love, on that boulevard, with the music of fin-de-siècle Vienna, with Schoenberg (angular and angry though he may sometimes be), with the dark richness of the music of that period - and the dark, rich desserts! - and ultimately, with the German language. "I may or may not believe in love at first sight, but I absolutely believe in love at first sound. 'Der Mondfleck' is only 58 seconds long, but by the time it was finished I had already stopped the car and pulled over, enthralled. "In my undergraduate student days, I was driving down a boulevard in Northwest Calgary, listening to music that my professor, Ken DeLong, would later force us (as music history profs do) to identify for a test. It is the piece that lit the fire of my passion for orchestral music and remains one of my favourite symphonic movements." Fifteen minutes of music with shape and purpose. The opening, pure fifths - a small two-note motif that appears and develops into a tidal wave of fury the incredible, sustained climax toward which the movement builds. It was interesting to me that the music was not thematically linked to anything outside itself. The first movement alone, more than any other (yes, including the fourth), seized my imagination. The sound quality was amazing, sure, but it was more than that. Kostyniuk, who would always say, 'At the end of the day, I love to go home and listen to a little Chopin.' I was a bit off on the composer but I was young and, anyway, she was right about listening to Chopin after work. Kostyniuk, my Grade 2 and Grade 4 music teachers. "How did I know that Beethoven 9 was the piece to buy? I think it had something to do with Mrs. Somehow I managed to convince my mom to get a CD player for the house, and I got my hands on a copy of Beethoven 9. To do so, I reasoned that you needed to have great music in order to test out the great sound quality. "When I was nine or 10, a friend raved about the sound quality of CD players and I really wanted to test it out. 11 at noon to hear more of his insights about them. Scroll down to learn about five pieces that changed Bartholomew-Poyser's life, and tune into CBC Music's Centre Stage on Sept. "We conductors are a lucky bunch," Bartholomew-Poyser reflects. "We get the best seat in the house and are trusted with the responsibility of bringing together the efforts of talented colleagues - Christmas every day." Now streaming Disruptor Conductor: This conductor brings live orchestral music to everyone.īartholomew-Poyser's professional path began at the University of Calgary and the Royal Northern College of Music in Manchester, England, and has taken him to the podiums of the Kitchener-Waterloo, Thunder Bay, San Francisco, Vancouver, Toronto and Edmonton symphony orchestras as well as the Calgary and Hamilton philharmonics, the National Arts Centre Orchestra and Washington National Opera.
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